深圳科技館（新館）設(shè)計(jì)指引
Design Guidelines for Shenzhen Science and
Technology Museum (New Museum)
目錄Table of content
TOC \o "1-3" \h \z \u 一、 總體要求 General Requirements................................................................................ PAGEREF _Toc72585464 \h 3
一、總體要求 General Requirements
設(shè)計(jì)應(yīng)具有時(shí)代性、前瞻性、創(chuàng)新性，考慮深圳科技館（新館）可持續(xù)發(fā)展能力、保持常展常新效果、后期展區(qū)更新改造的需求，在滿足科普功能的同時(shí)，重視研究、開(kāi)發(fā)、服務(wù)、收藏相關(guān)功能。
The design should have a sense of the times, forward-looking, and innovative, considering the sustainable development capability of Shenzhen Science and Technology Museum (new museum), giving visitors continual interests after multi-visits, and the needs of later renewal and renovation of the exhibition area. While meeting the functions of popular science, it also pays attention to research and development, Service, collection etc.
設(shè)計(jì)人流量預(yù)計(jì)約300萬(wàn)人次/年，平日觀眾約8000人次/天，高峰期觀眾約3萬(wàn)人次/天，面向社會(huì)各年齡段大眾，青少年是主要服務(wù)對(duì)象，創(chuàng)業(yè)群體是重要服務(wù)對(duì)象。
The estimated visitor Number is about 3 million people every year. There will be about 8,000 person/day during weekdays; and the peak No. could be about 30,000 person/day. The Museum is open for all age groups; while children and teenagers are the main targets.
設(shè)計(jì)要體現(xiàn)國(guó)際一流水平，鼓勵(lì)國(guó)際化聯(lián)合團(tuán)隊(duì)參與設(shè)計(jì)。要求配備不少于一個(gè)“數(shù)字科技”相關(guān)領(lǐng)域的資深專家及其團(tuán)隊(duì)，不少于一個(gè)所投主題展區(qū)相關(guān)學(xué)科領(lǐng)域的科學(xué)家（副教授或副研究員以上）及其團(tuán)隊(duì)，不少于一個(gè)具有國(guó)際科學(xué)藝術(shù)策展經(jīng)驗(yàn)的藝術(shù)家及其團(tuán)隊(duì)，不少于一個(gè)具有展項(xiàng)制作經(jīng)驗(yàn)的團(tuán)隊(duì)，作為顧問(wèn)團(tuán)隊(duì)或是合作的專業(yè)機(jī)構(gòu)。
The design should meet the international first-class level. We encourage international joint teams to participate in. The bidding team is required to have no less than one senior expert team in the related field of "digital technology"; no less than one scientist team (Professor or Associate Professor) in the relevant subject area of the bidding exhibition area, no less than one with international science Artists and their teams with experience in art curation work , and no less than one team with experience in exhibits making as a consultant team or a cooperative professional organization.
二、全館主題 The theme of the museum
深圳科技館（新館）要求表達(dá)“創(chuàng)新?未來(lái)”的展示主題，體現(xiàn)深圳新興產(chǎn)業(yè)、未來(lái)產(chǎn)業(yè)的內(nèi)容，把科普教育與創(chuàng)新驅(qū)動(dòng)發(fā)展戰(zhàn)略相結(jié)合。
The Shenzhen Science and Technology Museum (new museum) requires expressing the theme of "Innovation & Future", reflecting the content of Shenzhen's emerging industries and future industries and combining popular science education with innovation-driven development strategies.
為此，不但要把握“創(chuàng)新?未來(lái)”這個(gè)總的展覽主題，理解數(shù)字文明的內(nèi)涵，還要深入理解數(shù)字文明連接創(chuàng)新與未來(lái)的多層次含義：
To this end, it is necessary not only to grasp the general exhibition theme of "Innovation?Future" and understand the connotation of digital civilization but also to deeply understand the multi-level meaning of digital civilization connecting innovation and the future:
數(shù)字文明是全館的DNA。作為各主題、各展項(xiàng)的核心要素，是展教邏輯的主線，要通過(guò)數(shù)字科技融合生活和產(chǎn)業(yè)，貫通各大科學(xué)學(xué)科，打破傳統(tǒng)的學(xué)科分類，展教以跨學(xué)科、交叉學(xué)科的形式進(jìn)行。
Digital civilization is the DNA of the entire museum, the core element of each theme and exhibition item, the mainline of the exhibition and education logic. It is necessary to integrate life and industry through digital technology, connect major scientific disciplines, break the traditional classification of disciplines, and conduct exhibition and teaching in an interdisciplinary and interdisciplinary form.
數(shù)字文明帶來(lái)的變革是核心。隨著數(shù)字技術(shù)與經(jīng)濟(jì)社會(huì)各領(lǐng)域、各行業(yè)的不斷深度融合和跨界發(fā)展，數(shù)字技術(shù)不斷影響我們的世界，深刻改變?nèi)祟惻c社會(huì)、自然互動(dòng)的方式，開(kāi)啟人類認(rèn)知新規(guī)律、發(fā)現(xiàn)新現(xiàn)象和創(chuàng)造新事物等方式的創(chuàng)新和變革。
The change brought by digital civilization is the core. With the continuous in-depth integration and cross-border development of digital technology and various fields and industries of economy and society, digital technology continues to influence our world. It profoundly changes the way of interaction between human beings, society and nature, and opens the innovation and change of human cognition of new laws, discovery of new phenomena and creation of new things.
數(shù)字科技是連接點(diǎn)。作為數(shù)字文明重要維度的數(shù)字科技，是連接各領(lǐng)域的最大公約數(shù)，要以數(shù)字科技這一連接點(diǎn)做適度輻射延展，延伸到背后的非數(shù)字科技領(lǐng)域。
Digital technology is the connecting point. Digital science and technology, as an essential dimension of digital civilization, is the largest common divisor connecting various fields. The design firm should extend this connection point of digital science and technology to the non-digital science and technology fields behind it.
因此數(shù)字科技不是全部，展教設(shè)計(jì)需要展現(xiàn)文明形態(tài)的變化。世界正一步步往比特世界遷移，原子世界和比特世界的界限也變得模糊，在數(shù)字科技影響下的社會(huì)治理、生活、產(chǎn)業(yè)、科學(xué)探索等文明的形態(tài)、人們的思考方式、社會(huì)文化等等方面都發(fā)生著深刻的變革，應(yīng)從人文的視角來(lái)解讀數(shù)字文明的演進(jìn)。
The world is migrating to the bit world step by step. The boundary between the atomic world and the bit world has become blurred under the influence of digital technology, social governance, life, industry, scientific exploration and other forms of civilization, people's way of thinking, social culture, etc. Profound changes are taking place in all aspects, and the evolution of digital civilization should be interpreted from a humanistic perspective.
三、展示內(nèi)容 Exhibition Content
一級(jí)主題: Hello World!、美好生活、智慧產(chǎn)業(yè)和宇宙探源，高度概括了人類認(rèn)識(shí)和改造世界不同維度的物質(zhì)和精神活動(dòng)，設(shè)計(jì)過(guò)程中必須予以遵循。二級(jí)主題及內(nèi)容，是根據(jù)一級(jí)主題的方向涵蓋數(shù)字時(shí)代背景下社會(huì)變革、科學(xué)技術(shù)發(fā)展的重點(diǎn)和前沿等內(nèi)容，例如“重新發(fā)現(xiàn)我們的身體”或“從‘制造’到‘智造’”，是建議的內(nèi)容方向，設(shè)計(jì)過(guò)程中可根據(jù)對(duì)一級(jí)主題的理解，重新規(guī)劃二級(jí)主題并深入具體的展示內(nèi)容。在遵循“科技前沿，國(guó)家戰(zhàn)略、深圳特色、避免重復(fù)”原則的基礎(chǔ)上，可予以創(chuàng)新突破，提供更優(yōu)秀的設(shè)計(jì)方案。
The first-level theme highly expands the material and spiritual activities of different dimensions of human understanding and transformation of the world and must be followed in the design process. They are Hello World!, Good Life, Smart Industry and Exploring the Origin of the Universe. The second-level theme and content are based on the direction of the first-level theme, covering social transformation in the background of the digital age, and the focus and frontier of scientific and technological development. For example, "rediscover our body" or "from manufacturing to intelligent manufacturing'" are the suggested content directions. During the design process, the second-level theme can be re-planned and displayed in depth according to the understanding of the first-level theme. Based on following the principle of "frontier of science and technology, national strategy, Shenzhen characteristics, and avoiding duplication,” innovative breakthroughs can be taken to provide better design solutions.
四、展示邏輯 Exhibition Logic
圍繞“場(chǎng)景->技術(shù)->原理”的邏輯展開(kāi)敘事，并關(guān)注數(shù)字素養(yǎng)、科學(xué)思想/方法、科學(xué)（家）精神、社會(huì)影響及人文等要素，向更深層次內(nèi)容拓展，完成從需求到科技再到人文的主題升華。其中“場(chǎng)景->技術(shù)->原理”是展教的主線，而思維層面的內(nèi)容，根據(jù)實(shí)際展教需要選擇性的設(shè)計(jì)相關(guān)內(nèi)容。以場(chǎng)景切入的敘事邏輯，最終希望可以讓觀眾充分感受到數(shù)字文明時(shí)代已經(jīng)到來(lái)，勢(shì)不可擋，我們應(yīng)以積極開(kāi)放的心態(tài)擁抱變化。
The narrative is developed around the logic of "scene->technology-> principle". It focuses on digital literacy, scientific ideas/methods, scientific (family) spirit, social influence and humanities, and expands to deeper content, completing the transformation from demand to technology—sublimation to the theme of societies. Among them, the "Scene->Technology->Principle" is mainline of the exhibition and teaching. According to the actual exhibition and education needs, the content of the thinking level selectively design-related content. The narrative logic cut into the scene, in the end, hopes that the audience can fully feel that the era of digital civilization has arrived and is overwhelming. We should embrace change with an active and open mind.
（一）邏輯說(shuō)明 Logical description
場(chǎng)景體驗(yàn)：從大家日?？梢越佑|到的具體的生活、產(chǎn)業(yè)、科學(xué)探究的場(chǎng)景切入，在體驗(yàn)的過(guò)程中感受技術(shù)帶來(lái)的改變，并激發(fā)觀眾探索場(chǎng)景背后技術(shù)、科學(xué)原理的好奇心。
Scene experience: cut into the specific life, industry, and scientific exploration scenes that everyone can touch daily, feel the changes brought about by technology during the experience, and stimulate the audience's curiosity to explore the technology and scientific principles behind the scene.
科學(xué)技術(shù)：介紹體驗(yàn)場(chǎng)景中涉及的主要技術(shù)以及這些技術(shù)與數(shù)字技術(shù)融合后帶來(lái)的變化。數(shù)字技術(shù)已經(jīng)深度的滲透到各個(gè)學(xué)科，成為認(rèn)知和改造世界的通用工具和方法。
Science and technology: introduce the principal technologies involved in the experience scene and the changes brought about by integrating these technologies and digital technologies. Digital technology has penetrated various disciplines and has become a universal tool and method for cognition and transformation of the world.
基礎(chǔ)科學(xué)：介紹技術(shù)背后的科學(xué)原理，通過(guò)多元生動(dòng)的互動(dòng)方式，讓觀眾在互動(dòng)中體驗(yàn)到相應(yīng)的科學(xué)原理，并可以感受到基礎(chǔ)科學(xué)的價(jià)值，沒(méi)有基礎(chǔ)科學(xué)就沒(méi)有飛速發(fā)展的技術(shù)以及我們現(xiàn)在豐富多彩的世界。
Basic science: Introduce the scientific principles behind the technology. Through multiple and vivid interactive methods, the audience can experience the corresponding scientific principles in the interaction and feel the value of basic science. Without basic science, there would be no rapid development of technology and our present Colorful world.
數(shù)字素養(yǎng)：隨著數(shù)字技術(shù)的進(jìn)步和數(shù)字化社會(huì)的發(fā)展，數(shù)字素養(yǎng)的內(nèi)涵在不斷豐富和完善。它既包括對(duì)數(shù)字資源的接受能力，也包括對(duì)數(shù)字資源的給予能力，是指人們?yōu)閰⑴c社會(huì)生活，通過(guò)數(shù)字設(shè)備和網(wǎng)絡(luò)技術(shù)，正確、安全地訪問(wèn)、管理、理解、整合、溝通、評(píng)估和創(chuàng)造信息等能力，包括計(jì)算機(jī)素養(yǎng)、信息和通信素養(yǎng)、媒體素養(yǎng)等。
Digital literacy: With the advancement of digital technology and the development of digital society, the connotation of digital literacy is constantly enriched and improved. It includes people's ability to accept digital resources and their ability to give digital resources. It refers to the ability of people to correctly and safely access, manage, understand, integrate, communicate, evaluate and create information through digital equipment and network technology to participate in social life, including computer literacy, information and communication literacy, media literacy, etc.
科學(xué)問(wèn)題/方法：在場(chǎng)景、科學(xué)技術(shù)、基礎(chǔ)科學(xué)的內(nèi)容中，放眼世界科學(xué)技術(shù)的發(fā)展趨勢(shì)，融合前沿的科學(xué)問(wèn)題，引導(dǎo)公眾進(jìn)行思考，在問(wèn)題中探究科學(xué)。或者結(jié)合經(jīng)典實(shí)驗(yàn)、經(jīng)典理論、經(jīng)典故事及經(jīng)典儀器裝置設(shè)備等開(kāi)展敘事，讓觀眾了解科學(xué)方法。
Scientific issues/methods: In the context of scenarios, science and technology, and basic sciences, look at the development trend of world science and technology, integrate cutting-edge scientific issues, guide the public to think, and explore science. Or combine classic experiments, classic theories, classic stories, classic instruments and equipment to develop narratives to let the audience understand the scientific method.
科學(xué)(家)精神：要放眼世界科學(xué)技術(shù)的發(fā)展過(guò)程，融入科技發(fā)展的歷史沿革，結(jié)合經(jīng)典的科學(xué)家故事，讓觀眾感受科學(xué)思想、科學(xué)精神、科學(xué)家精神，啟迪科學(xué)思維。
Scientific/scientist spirit: It is necessary to look at the development process of world science and technology, to integrate into the historical evolution of scientific and technological development, and combine classic scientist stories to let the audience experience scientific thinking, scientific spirit, and scientist spirit, and enlighten scientific thinking.
社會(huì)影響/人文：科技深刻的改變著社會(huì)的形態(tài)，帶來(lái)了正面的影響，也同時(shí)帶來(lái)了負(fù)面的影響。如何從客觀的視角審核和思考，引導(dǎo)觀眾以理性的眼光來(lái)看待這些問(wèn)題。
Social influence/humanities: Technology is profoundly changing the shape of society, bringing positive and negative influences at the same time. Review and think from an objective perspective and guide the audience to look at these issues with a rational perspective.
（二）場(chǎng)景說(shuō)明Scene description
場(chǎng)景作為展教邏輯的切入點(diǎn)，也是關(guān)聯(lián)公眾、主題、展項(xiàng)和科技的關(guān)鍵節(jié)點(diǎn)，要根據(jù)主題搭建場(chǎng)景，更重要的是讓公眾從場(chǎng)景中體驗(yàn)，引發(fā)公眾解決問(wèn)題的興趣，吸引公眾了解解決問(wèn)題涉及的前沿技術(shù)，并進(jìn)一步探究技術(shù)背后的科學(xué)原理，激發(fā)公眾對(duì)原理、技術(shù)創(chuàng)新應(yīng)用的思考，避免就科技談科技。
As the entry point of the exhibition and teaching logic, the scene is also a key node related to the public, themes, exhibition items and technology. It is necessary to build the set according to the theme, and more importantly, let the public experience the scene, trigger the public's interest in solving problems, and attract the public to understand the cutting-edge technology involved in problem-solving. And further, explore the scientific principles behind the technology, stimulate the public to think about the principles, technological innovation and application, and avoid focusing on the technology itself.
此處說(shuō)的場(chǎng)景包含兩層核心含義:
The scenario mentioned here contains two core meanings：
應(yīng)用場(chǎng)景：體現(xiàn)主題的典型應(yīng)用場(chǎng)景，通過(guò)還原現(xiàn)實(shí)情境，提供真實(shí)科技產(chǎn)品，或采用虛擬技術(shù)等手段，搭建符合現(xiàn)實(shí)、適合公眾與技術(shù)體驗(yàn)互動(dòng)的場(chǎng)景，形成展項(xiàng)的內(nèi)在關(guān)聯(lián)，避免展品堆砌。
Application scenarios: Typical application scenarios reflects the theme. By restoring the actual situation, providing accurate technology products, or using virtual technology and other means, build a scene in line with reality and suitable for the interaction between the public and technical experience, forming the exhibits' internal connection avoiding stacking of exhibits.
氛圍場(chǎng)景：結(jié)合應(yīng)用場(chǎng)景的需求，充分體現(xiàn)科學(xué)與藝術(shù)的結(jié)合，并營(yíng)造出符合主題的氛圍，依據(jù)各子主題進(jìn)行各部分的環(huán)境設(shè)計(jì)，使每個(gè)主題空間各具特色的同時(shí)符合二級(jí)主題的總體風(fēng)格，配合展項(xiàng)呈現(xiàn)出精彩不斷的展示效果。
Atmosphere scene: Combining the needs of application scenes embody the combination of science and art and create an atmosphere that fits the theme. Carry out the environmental design of each part according to each sub-theme so that each theme space has its characteristics and conforms to the overall style of the secondary theme, and presents a beautiful and continuous display effect with the exhibition items
整體而言，要通過(guò)體驗(yàn)場(chǎng)景的構(gòu)建，連接公眾、企業(yè)和科技，傳達(dá)“創(chuàng)新?未來(lái)”的展示主題，形成主題鮮明、知識(shí)交叉的設(shè)計(jì)方案。
On the whole, it is necessary to connect the public, enterprises and technology through the construction of experience scenes, convey the display theme of "Innovation?Future" and form a design with clear themes and cross-knowledge.
五、觀眾定位 Visitor positioning
深圳科技館（新館）面向更多元化的觀眾：在年齡范圍方面，主要覆蓋青少年，同時(shí)需要滿足全年齡段觀眾；在職業(yè)范圍方面，主要覆蓋學(xué)生群體，重點(diǎn)關(guān)注創(chuàng)業(yè)者、企業(yè)家，并且兼顧公務(wù)員、科學(xué)家、投資家、專業(yè)人士等社會(huì)觀眾?？茖W(xué)館與觀眾的關(guān)系中，觀眾角色不再均一化、同質(zhì)化，需要引入新的維度，即科學(xué)技術(shù)的使用者、消費(fèi)者、利益相關(guān)者、決策參與者更多的維度。深圳科技館（新館）將滿足多元需求，以體驗(yàn)場(chǎng)景的搭建，連接各類群體，服務(wù)于社會(huì)各界創(chuàng)新的需求。
The Shenzhen Science and Technology Museum (new museum) is aimed at a more diverse audience: in terms of age range, it mainly covers young people, and needs to meet audiences of all ages; in terms of occupation, it mainly covers student groups, focusing on entrepreneurs and entrepreneurs It also takes into account the social audience such as civil servants, scientists, investors, and professionals. In the relationship between the Science Museum and the audience, the role of the audience is no longer homogenized. It should also service visitors like, users of science and technology, consumers, stakeholders, and decision-making participants. The Shenzhen Science and Technology Museum (new museum) will meet diverse needs, build experience scenes, connect various groups, and serve the innovative needs of all sectors of society.
除了以上變化，觀眾的角色在深圳科技館（新館）也將發(fā)生一些新的變化：
In addition to the above changes, the role of the audience will also undergo some new changes in the Shenzhen Science and Technology Museum (New Museum)
展教設(shè)計(jì)者：觀眾是展項(xiàng)創(chuàng)作的參與者，通過(guò)數(shù)字化手段，可以一起參與到展項(xiàng)的創(chuàng)新、創(chuàng)造過(guò)程中；隨著來(lái)館的觀眾越來(lái)越多，展教的創(chuàng)意積累將越來(lái)越多。
Exhibition and education designers: audiences are participants in the creation of exhibition items. Through digital means, they can participate in the innovation and creation process of exhibition items. As more and more audiences come to the exhibition hall, the accumulation of creativity in exhibitions and education will increase.
展項(xiàng)的參與者：觀眾也是展項(xiàng)的一部分，觀眾與展項(xiàng)互動(dòng)沉淀的數(shù)據(jù)與展項(xiàng)融為一個(gè)整體，這些數(shù)據(jù)在脫敏處理后能夠可視化呈現(xiàn)給其他觀眾。
Participants of the exhibition item: The audience is also a part of the exhibition item. The interactive data and the exhibition item are integrated as a whole. After desensitization, these data can be visualized to other audiences.
線上觀眾：線上參觀科技館、參與科技館互動(dòng)的觀眾也將是科技館觀眾的一部分，其數(shù)量甚至?xí)^(guò)來(lái)到實(shí)體展館的觀眾，展項(xiàng)設(shè)計(jì)時(shí)，也需要考慮這些線上觀眾如何更方便、實(shí)時(shí)的進(jìn)行互動(dòng)。
Online audience: online visitors who participate in the interaction of the science and technology museum will also be part of the museum audience. The number may even exceed the number of visitors to the physical exhibition hall. When designing the exhibition items, it is also necessary to consider how these online visitors can have convenient and real-time interact.
六、觀眾體驗(yàn) Visitor Experiences
（一）精彩的體驗(yàn) “Wow”experience
深圳科技館（新館）面向全球，將以開(kāi)放、創(chuàng)新的姿態(tài)迎接全球的觀眾，力爭(zhēng)成為全球最知名的科技館之一。定位全球首家數(shù)字文明館，展項(xiàng)設(shè)計(jì)應(yīng)著眼超越觀眾的預(yù)期，為觀眾帶來(lái)全新的體驗(yàn)，充分體現(xiàn)數(shù)字技術(shù)為生活、產(chǎn)業(yè)、科學(xué)探索帶來(lái)的全方面升級(jí)，讓觀眾發(fā)自肺腑的贊嘆：“哇哦！”
The Shenzhen Science and Technology Museum (new museum) faces the world and will welcome global audiences with an open and innovative attitude, and strive to become one of the most innovative science and technology museums in the world. Positioned as the world’s first digital civilization pavilion, the exhibition design of our museum should exceed the audience’s expectations and bring a brand new experience to the audience. It fully reflects the all-round upgrades that digital technology has brought to life, industry, and scientific exploration, making the audience feel "Wow!"
未來(lái)科技感：深圳科技館（新館）面向未來(lái)，探索創(chuàng)新，需要讓觀眾到達(dá)展館時(shí)就像進(jìn)入到一個(gè)充滿想象的未來(lái)世界里。
Sense of future science and technology: Shenzhen Science and Technology Museum (new museum) faces the future and explores and innovates. When the audience arrives at the exhibition hall, it is like entering an imaginative future world.
充滿樂(lè)趣：不是高高在上的知識(shí)傳播，而是平等互動(dòng)，以充滿趣味的設(shè)計(jì)，引導(dǎo)觀眾互動(dòng)，并沉浸其中。
It is full of fun: it is not high-level knowledge dissemination, but equal interaction, exciting design, guiding the audience to interact and immerse themselves in it.
驚喜不斷：設(shè)置細(xì)致貫穿的線索，讓觀眾可以持續(xù)挖掘別有新意的新發(fā)現(xiàn)；同時(shí)需要考慮更新的便利，可以方便升級(jí)迭代，讓觀眾每次到來(lái)都能有新鮮感。
Continuous surprises: setting meticulous and penetrating clues so that the audience can continue to explore new and innovative discoveries; at the same time, the convenience of updating needs to be considered, which can facilitate upgrades and iterations, so that the audience can have a sense of freshness every time they come.
回味無(wú)窮：分層次的體驗(yàn)設(shè)計(jì)，不但讓觀眾在體驗(yàn)時(shí)感受到不同層次的體驗(yàn)，而且讓觀眾離開(kāi)后還能回味無(wú)窮，期待下次來(lái)訪。
Endless aftertaste: The hierarchical experience design allows the audience to experience different experience levels during the visit and allows the audience to have an infinite aftertaste after leaving, looking forward to the next stop.
（二）靈活的體驗(yàn) Flexibility
深圳科技館（新館）面積巨大，內(nèi)容豐富多元，我們要為公眾友好的參觀體驗(yàn)提供有效工具。
The Shenzhen Science and Technology Museum (new museum) is huge in size and rich in content. We must provide effective tools for a public-friendly visit experience.
1. 主題空間（Pavilion）
四個(gè)樓層（F2—F5）中的每一層都將傳達(dá)一個(gè)主題，例如生活或產(chǎn)業(yè)。每個(gè)主題都細(xì)分為子主題，例如“重新發(fā)現(xiàn)我們的身體”或“從‘制造’到‘智造’”。子主題將成為主題空間（Pavilion），并具備完整的體驗(yàn)內(nèi)容和能自我運(yùn)轉(zhuǎn)的特點(diǎn)，就像是館中館，每個(gè)主題空間本身就能夠成為觀眾的參觀的目的地。
Each of the four floors (F2—F5) will convey a theme, such as life or industry. Each theme is subdivided into sub-themes, such as "Rediscover our bodies" or "From "manufacturing" to "intelligent manufacturing". Sub-themes will become themed spaces (Pavilion). With complete experience content and self-operating characteristics, just like a pavilion in an Expo, each themed area itself can become a destination for the audience to visit.
內(nèi)容規(guī)劃中樓層主題下的子主題，可對(duì)應(yīng)為一個(gè)主題空間（Pavilion）。因此，每個(gè)主題空間都是樓層主題的一部分，并且獨(dú)立于其他主題空間，用以達(dá)成多樣性和靈活性的目標(biāo):
The sub-themes under the floor theme in the content plan can correspond to a themed space (Pavilion). Therefore, each theme space is part of the theme of the floor and is independent of other theme spaces to achieve the goal of diversity and flexibility：
一個(gè)主題空間可以包含一個(gè)或多個(gè)展項(xiàng)（群）。舉例來(lái)說(shuō)，這些主題空間本身就將成為（某些）觀眾前來(lái)深圳科技館（新館）的原因。它也可以提供除了展覽之外的其他特定功能區(qū)，例如教室、工坊、實(shí)驗(yàn)室、小劇場(chǎng)、零售或者餐飲等。
A themed space can contain one or more exhibits (groups). For example, these themed spaces themselves will be why (some) viewers come to the Shenzhen Science and Technology Museum (New Museum). It can also provide other specific functional areas besides exhibitions, such as classrooms, workshops, laboratories, small theatres, retail or catering, etc.
主題空間應(yīng)該充分利用非傳統(tǒng)的建筑布局。因?yàn)橹黝}館的各層空間沒(méi)有被明確分割而是連續(xù)不斷的，主題空間可以用單獨(dú)的結(jié)構(gòu)相連，觀眾在每個(gè)樓層可以自由參觀。與分散展示的傳統(tǒng)開(kāi)放式主題館相比，這種不尋常的空間組織中的獨(dú)立主題空間每時(shí)每刻將會(huì)帶來(lái)驚喜和發(fā)現(xiàn)。
Pavilions make good use of the unorthodox building layout. Since there are no clearly defined galleries but rather a continuum of spaces, pavilions allow for separate structures to be connected by fluid circulation paths on each floor. Compared to traditional open galleries with scattered displays free-standing pavilions in this unusual organization of space creates surprises and discovery at every turn.
一個(gè)主題空間必須有一個(gè)清晰的空間界限?？梢蚤_(kāi)放或者半開(kāi)放式，甚至可以跨層，觀眾能夠直接進(jìn)入而不需要通過(guò)另一個(gè)主題空間。每一個(gè)主題空間都有自己的視覺(jué)特征，它的“外殼”可以像地板或者天花板上的一個(gè)標(biāo)志一樣簡(jiǎn)單，但是它也可以是一個(gè)只有一個(gè)入口的不透明的“黑盒子”。主題空間的設(shè)計(jì)將由它在樓層的位置、內(nèi)容和表達(dá)方式來(lái)確定。
A themed space must have a clear boundary. It can be open or semi-open, even across floors, and audiences can enter directly without passing through another Pavilion. Each pavilion will be visually distinct. Its "shell" can be as simple as a sign on the floor or ceiling, but it can also be an opaque "black box" with only one entrance. The design of the themed space will be determined by its location, content and expression on the floor.
每個(gè)主題空間彼此獨(dú)立的好處是可以關(guān)閉進(jìn)行維護(hù)或完全更換，而不會(huì)影響其余部分或參觀者的體驗(yàn)。隨著科學(xué)技術(shù)的飛速發(fā)展，展項(xiàng)的更新也會(huì)越來(lái)越快，獨(dú)立主題空間會(huì)具有非常大的優(yōu)勢(shì)。
The benefit of each pavilion being independent from all others is that it can closed for maintenance or completely replaced without any impact on the rest of the floor or the visitor experience. This will be a major advantage in the coming years as science and technology evolves at a fast pace. Without this flexibility, the museum could quickly become obsolete.
主題空間可大可小，它們本身具有獨(dú)特個(gè)性的內(nèi)容和展示方式，喚起觀眾注意了解到它們所屬于的子主題。
They can be large or small. With their unique personality and visitor experience ,they can evoke the sub-theme they are part of.
2. 個(gè)性體驗(yàn)路線 Personal route guide
體驗(yàn)路線是通過(guò)整合來(lái)自不同主題空間的展項(xiàng)、活動(dòng)等組成有順序清單，形成不同的故事主題，從而為觀眾提供個(gè)性化體驗(yàn)?zāi)Ｊ健ｓw驗(yàn)路線庫(kù)為觀眾提供了獨(dú)特而豐富多樣的科技館參觀方式。體驗(yàn)路線為公眾提供了一種與科技館互動(dòng)的全新方式，讓公眾參與到科技館體驗(yàn)的創(chuàng)造過(guò)程中，共同打造一個(gè)下一代的科學(xué)中心。公眾可以根據(jù)自己的知識(shí)、好奇心創(chuàng)建一個(gè)體驗(yàn)路線，創(chuàng)造自己的獨(dú)特參觀體驗(yàn)。對(duì)于想要輕松參觀的觀眾們而言，他們可以在一個(gè)樓層短暫的停留；而對(duì)于想要深層探索的觀眾們而言，他們能夠參觀整個(gè)科技館。為此，在設(shè)計(jì)過(guò)程要關(guān)注體驗(yàn)路線創(chuàng)建的需求，清晰提煉主題關(guān)鍵詞。
The route guide is to form an ordered list of exhibits and activities from different themed spaces to form different story themes to provide the audience with a personalized experience mode. The route guide library provides visitors with unique and diverse ways to visit the Science and Technology Museum. The route guide enable the next generation science center model by having many participants involved in creating the experience of the museum. The visitors can create a route guide based on their knowledge and interests to create their own experience. Route guide are highly flexible. For visitors who want a light visit, they can be short and stay on one floor. For visitors who are looking for deeper exploration, they can span the whole museum. For this reason, in the design process, we should pay attention to the needs of route guide creation and refine the subject keywords.
